Seen & Heard

“Painting is music you can see and music is a painting you can hear” (Miles Davis, musician)

The Scottish Chamber Orchestra return to Craigmillar this Spring with their Seen and Heard programme, led by the Orchestra’s composer-in-residence Jay Capperauld and artist Karolina Glusiec.

The workshops are open to all and participation is free.

Autumn 2024 Dates

Thursday 29th August 11:00 – 1:00pm  

Thursday 5th September 11:00 – 1:00pm 

Thursday 12th September 11:00-1:00pm

Thursday 26th September 11:00-1:00pm 

Thursday 3rd October 11:00 – 1:00pm 

Thursday 10th October 11:00 – 1:00pm 

Sign up now! Apply here

Accessibility

There is accessible parking on site and ramp access to the centre. The sessions are based in the ground floor of the Arts Centre. This workshop has the option of sitting or standing dependant on your accessibility/comfort levels. As Craigmillar Now is based in a historic church the building gets cold during winter months - we will have the heating on for ask participants to layer up just incase.

Lunches

We host a free lunch for all participants after every session at 1-2pm. Always veggie with a vegan option. Please let us know any allergen requirements beforehand.

Biographies of workshop leaders

Jay Capperauld

www.jaycapperauld.co.uk 

Scottish composer Jay Capperauld is the Scottish Chamber Orchestra’s Associate Composer. In the music he writes, Jay aims to explore, interpret, and adapt the traditions of Scottish culture. Jay has written for various artists and ensembles, including BBC Philharmonic, Scottish Chamber Orchestra, BBC Scottish Symphony Orchestra, Royal Scottish National Orchestra, The National Youth Orchestra of Scotland and the Hebrides Ensemble, amongst many others.

Karolina Glusiec
https://www.instagram.com/karolina.glusiec/

Glusiec is a Polish-born artist working primarily with drawing and animation. Her drawing style is immediately recognizable due to it’s loose, layered, and rapidly applied look. What at first appears abstract quickly becomes the embodiment of a moment in time, especially when those loose lines begin to move within her animated works. By stripping away the specific detail of a scene she is able to evoke something that feels more at the root of the subject, often making her films play like a recorded memory. Beyond animation, Glusiec is seemingly ever-busy documenting her daily life via her sketchbook. She’s taken the notion of flipbook animation to another level by using each page of a sketchbook as a new animation frame — the result of which is wonderfully energetic and loose animations documenting her travels. Karolina is a graduate of the animation department at the RCA in London and has since worked on various music videos and commissioned projects as well as developing her own unique view of the medium.